Sign in Subscribe

Anima

SOAS Cleaners Still Cry For Justice

By Zoe Smith-Holladay, President of Justice for Workers, BA History of Art & History Established in 2006 by the SOAS cleaning team, the Justice for Workers Campaign (J4W) is a collaboration between cleaners, student activists and sympathetic academics at SOAS. For over 19 years, J4W’s tireless advocacy for equitable

The SOAS Liberated Zone: 200 Days Later

Barty Roberts, Editor-in-Chief, BA Politics and International Relations The SOAS Liberated Zone has now existed for 200 days. In that time, it has had three locations, gone from over 100 members to less than 20, been raided by the police, been served multiple court orders and hosted a man wearing

John Wilson on Public Broadcasting and the Culture of Culture

John Wilson on Public Broadcasting and the Culture of Culture

“So, yeah, I would say probably Radio 4 … is the single most important cultural resource in the country.”

Power Stations and Populism: How Closing Coal Mines Feeds Farage

Power Stations and Populism: How Closing Coal Mines Feeds Farage

While the move to green sustainable energy may be in the country's best interest, it is hard to convince industrial workers and towns of this as their livelihoods are being stripped away from them.

25 Years Since the Introduction of Tuition Fees - A Retrospective

25 Years Since the Introduction of Tuition Fees - A Retrospective

"Mandy Telford, opposing the top-up of tuition fees, warned that the top-up would be a ‘disaster for higher education’... But several years later in 2007, Blair… stated that ‘the worries about tuition fees turned out to be misplaced"

Lee Jong-pil’s Escape: No End to Capitalism

Lee Jong-pil’s Escape: No End to Capitalism

"Despite the film being introduced as a drama/action, Escape played out as an absurdist horror, peppered with strategic moments of comic relief"

The Works of Rani Sharabati: Israeli Settler Colonialism and Palestine

The Works of Rani Sharabati: Israeli Settler Colonialism and Palestine

"his work transgresses localised boundaries whether geographical or ideological, and this deliberate ambiguity allows Palestinian viewers to interpret his work in line with their own experience of displacement and spatial domination born from the occupation"