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SDF liberate Raqqa from ISIS control

SDF liberate Raqqa from ISIS control

By Ali Mitib (BA Law and Politics) On the 18th October, the Syrian Democratic Forces (SDF) retook Raqqa Stadium, the last ISIS stronghold in the city. The liberation of the city marks the end of the Raqqa campaign, codenamed “Operation Wrath of Euphrates”. The SDF operation, which was supported by

DO NOT READ

DO NOT READ

By: the devil on your shoulder I’m the little voice in your head. You see me every day; I’m invisible, but I’m probably wearing a beige trench coat and dark glasses. Perched on your shoulder. Sat on that one empty chair in your tutorial. With a pad

A Student's SOAS

A Student's SOAS

Poetry is Peng - October

Poetry is Peng - October

衬衫星期三上午的伦敦地铁我眼前可以看到的男士站着的坐着的对面车厢的他们都穿着衬衫大概这就是成年日子就是打着领带的衬衫和敞着第一颗扣子的衬衫好也好,坏也好生活不过是脱下一件衬衫换上另一件衬衫 Shirts Wednesday morning, London Underground The men in my sight Standing, sitting or even in the next coach Are all wearing shirts This is probably what being an adult is like Time is just shirts with ties And

Journeys to Independence: “Informative insight into 20th century India”

Journeys to Independence: “Informative insight into 20th century India”

By Khadija Kothia (BA History) As India celebrates 70 years of Independence, LSE’s exhibition Journeys to Independence: India, Pakistan and Bangladesh, captures the pivotal moments that shaped the subcontinent during the 20th century. Upon entering I am instantly intrigued. It’s a modest-sized room but with an abundance of

London in Time: Museum of London Review

London in Time: Museum of London Review

By Sumayyah Lane (BA History) Since the renovation of the Museum of London’s entire ground floor, reliving London’s past is now an experience reimagined. Complete with reconstructed Victorian streets, spoken accounts and 7000 objects, the museum’s nine galleries present a detailed and engaging history of the city.

Black Art in Tate Modern

Black Art in Tate Modern

By Kornelia Jaroc (BA History of Art and Anthropology) According to the curators, the exhibition Soul of the Nation: Art in the Age of Black Power was to celebrate the works of Black American artists in the politically and socially eventful two decades following 1963. The question is, is it